| New multi-year North American tour for The Phantom of the Opera | |
| Last Edit: Official_Press_Release 11:45 am EDT 11/01/24 | |
| Posted by: Official_Press_Release 10:30 am EDT 11/01/24 | |
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| CAMERON MACKINTOSH & THE REALLY USEFUL GROUP ARE DELIGHTED TO CONFIRM THAT ANDREW LLOYD WEBBER'S LEGENDARY MUSICAL IS BACK! IN A REVITALIZED NEW PRODUCTION, BASED ON THE BRILLIANT ORIGINAL A MULTI-YEAR NORTH AMERICAN TOUR OPENS IN NOVEMBER 2025 (November 1, 2024) - Cameron Mackintosh is delighted to announce that the revitalized production of Andrew Lloyd Webber's THE PHANTOM OF THE OPERA, featuring Maria Björnson's brilliant original design, which was rapturously received by London critics when it reopened in 2021, will launch a new multi-year North American tour in November 2025. "THE STAGING HAS NEVER LOOKED MORE SPECTACULAR" - SUNDAY EXPRESS "THE SHOW HAS ONLY GROWN IN ITS ARTISTIC POWER" - SUNDAY TIMES Both the acclaimed new London production of THE PHANTOM OF THE OPERA, at its birthplace His Majesty's Theatre, and the forthcoming North American Tour are directed by Seth Sklar-Heyn, based on the celebrated original direction by Harold Prince with choreography by Gillian Lynne, recreated and adapted by Chrissie Cartwright. The new North American tour of THE PHANTOM OF THE OPERA will premiere at the Hippodrome Theatre in Baltimore, MD. Additional tour cities and casting will be announced at a later date. Cameron Mackintosh said today, "I'm really delighted to bring Andrew Lloyd Webber's PHANTOM OF THE OPERA back to thrill American audiences once again after its phenomenal record-breaking run on Broadway. When I unveiled this new production in London after the pandemic, many of our brilliant original creative team, including Hal Prince, Gillian Lynne, and Maria Björnson, were sadly no longer with us. Our exciting new team, inspired by their predecessors' glorious work, updated certain aspects of the production that resulted in a dazzlingly fresh version of the much-loved original, which was rapturously received by audiences and critics alike. So, in just a year's time, when we raise our even more sensational chandelier, you can once again thrill to Andrew's soaring music of the night and be swept away by a revitalized PHANTOM in all its glory!" Andrew Lloyd Webber said today, "The Phantom made it very clear that it would not be long before his legend would, once again, be told in America. While Hal, Gillie, and Maria are, sadly, no longer with us, they live on in the show we all created together. Love, passion, and live theatre are what THE PHANTOM OF THE OPERA is all about. I still get goosebumps every time that chandelier comes alive and infuses the theatre with something that only happens when design, direction, and music are completely at one. I am absolutely delighted that we are bringing this very special production back to audiences across North America." "THE PHANTOM OF THE OPERA is near and dear to my heart," said Ron Legler, president of the France-Merrick Performing Arts Center in Baltimore. "It was the first mega-musical I worked on more than 30 years ago. To see this iconic production come back into my life decades later and begin its new tour at the Hippodrome is a full-circle moment and a true honor. On behalf of our historic theatre, our team can't wait to play our part in continuing this title's legacy and for our audiences to experience the sweeping romance and grandeur of such a wonderful masterpiece." THE PHANTOM OF THE OPERA is widely considered one of the most beautiful and spectacular productions in history, playing to over 160 million people in 47 territories and 195 cities in 21 languages. Andrew Lloyd Webber's romantic, haunting, and soaring score includes "The Music of the Night," "All I Ask of You," "Wishing You Were Somehow Here Again," "Masquerade" and the iconic title song. It tells the tale of a disfigured musical genius known only as ‘The Phantom' who haunts the depths of the Paris Opera House. Mesmerised by the talents and beauty of a young soprano – Christine, The Phantom lures her as his protégé and falls fiercely in love with her. Unaware of Christine's love for Raoul, The Phantom's obsession sets the scene for a dramatic turn of events where jealousy, madness, and passions collide. Andrew Lloyd Webber's THE PHANTOM OF THE OPERA, originally produced by Cameron Mackintosh and The Really Useful Group, has become one of the most successful shows in the world. The original London stage production is now the second longest-running musical ever. It opened on Broadway on January 26, 1988, directed by Harold Prince. It won seven 1988 Tony Awards, including Best Musical, and reigned as the longest-running show in Broadway history since January 9, 2006, when it surpassed Andrew Lloyd Webber's Cats, also produced by Cameron Mackintosh. The New York production played a staggering 13,981 performances, been seen by 20 million people, and grossed over $1.4 billion. After an unprecedented 35 record-breaking years, the Broadway production played its final performance on April 16, 2023. There have been three U.S. National Tours based on the original Broadway production. The First National Tour played Los Angeles and San Francisco for a combined total run of almost 10 years, playing 3,902 performances to 6.6 million people. The Second National Tour had an 8.5-year run, playing 3,364 performances to 7.5 million people. The Third National Tour had an 18-year run, playing 7,284 performances to 16.7 million people. The three U.S. national tours played 216 engagements in 77 cities for an unprecedented total of 36.5 years and over 14,500 performances to 31 million people – making it the most successful and longest-running touring show in U.S. history. THE PHANTOM OF THE OPERA is produced by Cameron Mackintosh and presented by Mackintosh and The Really Useful Group Ltd. Music by Andrew Lloyd Webber, Lyrics by Charles Hart, and Additional Lyrics by Richard Stilgoe. Book by Richard Stilgoe and Andrew Lloyd Webber, based on the novel ‘Le Fantôme de l'Opera' by Gaston Leroux, with Orchestrations by David Cullen and Andrew Lloyd Webber. Musical Supervision is by Kristen Blodgette. The Production Design is by Maria Björnson, and the Set Design is adapted by Matt Kinley with Associate Costume Design by Jill Parker, Lighting is by Andrew Bridge with Associate Lighting Design by Warren Letton, Sound is by Mick Potter. The Musical Staging and Choreography is by Gillian Lynne, recreated and adapted by Chrissie Cartwright. Originally Directed by Harold Prince, this new production is Directed by Seth Sklar-Heyn. Please sign up for more information on the new U.S. production at : us.thephantomoftheopera.com. Editors please note: The Really Useful Group has launched The Box Five Club, a hub for fans of Andrew Lloyd Webber's musicals to explore unseen archives, behind-the-scenes moments, new videos, articles, and previews from new shows and music. Fans can sign up for free at boxfiveclub.com, which will subscribe them to the curated newsletter featuring first looks, news, articles, and video content, early access to tickets and events for all Lloyd Webber shows, including THE PHANTOM OF THE OPERA, as well as additional member benefits. Please sign up for more information at TheBoxFiveClub.com. WEBSITE & SOCIAL MEDIA Website: ThePhantomOfTheOpera.com Facebook: facebook.com/thephantomoftheopera Instagram: instagram.com/phantomtour TikTok: tiktok.com/@phantommusical YouTube: YouTube.com/thephantomoftheopera Hashtag: #PhantomTour |
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